Shapes and colours are moulded by hand, through a slow process that goes from massaging silk, wool, cashmere, linen, hemp, beech, etc., to choosing the plants, flowers and roots that make up the chromatic bases.

Each garment is a unique work, an actual size development is impossible, because the finishes become unrepeatable and the manipulation generates new nuances and details each time. Even the idea of a definitively finished work is inconceivable. The fibres move, change with time, depending on the wearer’s use and silhouette.
Nunofelt is dynamic by nature and, in Zwilling’s work, lends itself to a correspondence with the concept of the ‘open work’, understood as an artwork.

la cui identità estetica, formale o materiale non è definita una volta per tutte, ma soggiace a fattori di variabilità che la rendono, entro limiti più o meno ampi, sempre diversi. whose aesthetic, formal or material identity is not defined once and for all, but is subject to factors of variability that make it, to a greater or lesser extent, always different. (Cit. Umberto Eco)

But it is also open in its possibility of being interpreted in ways that vary according to the sensitivity and emotions of those who encounter it.